This is a common warning among many that jointly caring for a pet following a split is a terrible idea. Experts frequently claim such situations impede ex-partners from moving forward, lead to scheduling chaos, lead to tension, and are a nuisance for everyone involved. Seemingly, as a development fit for a direct-to-platform film, it can even cause our furry friends to experience sadness.
Without minimizing the inner life of animals – countless people speak of their remarkable empathy. To witness a standout portrayal in canine melancholy, one need only look a past film. There is little doubt that a dog such as Merv, a spirited little dog played by a talented dog named Gus, would struggle adjusting to split households. The idea of basing a full holiday film on this conflict works effectively is rather doubtful.Predictable Foundations
Honestly, Merv, written by the writing duo and directed by director Swale, makes no grand claims more profound than what it is. This is a seasonal offering from a corporate studio – the depth are modest. The plot is destined to be uncomplicated: former spouses Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their post-breakup gloom is matched by their dog's, take a cheer-up vacation to a dog-friendly resort. There, inevitably, they will presumably realize the idea that they are better together. Ensemble players – played by Chris Redd, Jasmine Mathews, and others – serve as the usual assortment of types. Its aesthetic is reminiscent of a streaming service original, with a Christmas setting that is clearly manufactured – think flurries surrounding lush pines as a warm climate stands in for the Northeast.
Where the Film Shines
If these familiar elements merge into something enjoyable hinges on the strength of the performances and an acceptance of easy entertainment. On the latter point, Merv hones in on a demographic – the kind who seek out for dog videos. It provides a series of canine-centric sequences. The main attraction is the canine star, and though it results in some stilted moments between the pet's "lines" and the actors' responses, the movie delivers on walking sequences, pet moping, and, finally, doggie joy.
Where It Wobbles
This level of success cannot be applied for the romantic plot. Its style wavers between serious study, wacky comedy, predictable love story, and physical comedy, failing to master a consistent feel. No blame falls on Cox's performance, who is admirably committed the humiliating and funny demanded of the bizarre setting. Cox exhibits a likable self-deprecation that supplies a significant portion of the appeal for this on-the-rocks couple. Anna's portrayer, true to her usual style, imparts a certain millennial quirkiness that will either resonate with viewers. Her portrayal comes across as a bit too dry, notably when alongside Cox's heartfelt sincerity. (It should be noted, Gus the Dog manages acting depressed – while no a canine thespian of that caliber, he remains a very good boy.)
The film attempts to add substance to Anna and Russ's relationship for sequences focusing solely on them – a regrettable choice, given that the dog is easily the most adorable aspect of this film designed for charm. Expectedly, it achieves only baseline competence. The reason for their separation might seem more nuanced with more screen time and fewer direct statements. Ultimately, Merv is light and sugary, meeting every expected note. Creating a movie about dog co-parenting has potential – though I wouldn't call it a great one either.
- Merv becomes available on Amazon Prime Video on December 10th.
